Helpful Hints,  My Painting Process,  Still Life - Florals and other

Sunshine and Shadows floral painting

This sunshine filled floral painting makes me happy.  It’s funny, whenever I think I am finished a painting I will often have self doubt.  That was the case with this one.  I decided to set it aside for awhile and went upstairs to start supper.  When I went back into the studio it stopped me in my tracks.  It was glowing as luminous as I had hoped it would be! The yellows so sunny and yummy. 

Poured or sprayed paintings

I approached this painting slightly differently by spraying the paint onto the wet surface.  I actually thought that it may be less messy. Boy, was I wrong. The coloured mist went everywhere. All over my drafting table, the floor and my hands were unbelievable!  I went back to pouring quite quickly.  The colour saturation seemed to be diffused as well. The diffused effect from the spray was not at all the look I was going for.  I may save the spray bottles for a misty day painting another time.

Getting the gunk off

The underpainting revealed

When you remove the masking compound you also remove a certain amount of the paint you applied.  Sometimes the underpainting is filled with drama at the reveal stage bout most of the time you have to go back in with some strategic brushwork to make the painting come alive.  Once the centre of the flowers were painted in, it really started to come to life.  

Yellow is an interesting colour to pour.  It behaves differently than expected.  Or maybe if was because it was the layer of paint that I sprayed on?  The luminous quality I was trying to achieve was flat. Some very quick brushwork brought it back to life.

Helpful hint

I use a rubber cement pick up to remove the mask picture to the side.  Shown in the wrapper, before use and after use.

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    • Helen Shideler

      Thank you Mary. Yellows are tricky to work with – I have poured two predominately yellow works now – and have an idea for a third. Maybe in the spring

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