Summertime Promises

Summertime Promises

I completed this painting on the day of the Royal Wedding and also my husband's birthday.  All this just happens to coincide with the Victoria Day long weekend.  All this is truly symbolic.  The May long weekend heralds in the promise of summer and is filled with hope.  Lazy long weekends, adventurous tours, putting in the garden... you know the feeling

Summertime Promises by Helen Shideler

Warm enough to chill

I don't know about you, but my soul has been longing to be warm so we can just chill.  Our season on the East Coast is relatively short.  We wait so long for its arrival. So many happy plans and ideas - all to make memories that last season over season.  Gardening is a big part of our summer.

We typically garden up as high as we can trying to outwit the local deer population.  As a result of this our house is adorned with an impressive number of hanging baskets.  Other than the two that welcome you on either side of our front door, these baskets are each unique.  Planted with whatever catches our eye in the garden centres.  Some years it may be purples, sometimes yellow and sometimes a happy blending of many colours.  

This hanging basket that I painted "Summertime Promises"  filled my heart with joy watching it grow.  I mean, you can't get much more perfect than with yellow, vermillion and shades of maroon all on one blossom.  I knew when I purchased it that it would be painted.  I mean how could it not be? I took many reference photos, and as often, I tended to prefer the ones taken in full sun. 

What do you think?

A few weeks ago when I decided it was time to start a few more poured paintings, this image came to mind.  I sketched it out with a bit more detail than usual around where the leaves and stems were.  When you pour a painting, often the placement of the colours my be less important that the structure of the subject.  As I started working on this, I kept thinking that maybe, just maybe it should be painted as a large, juicy oil painting.  What do you think?

Work in progress 

Step by step process below.  Many pours later and a pound of masking (just kidding), the underpainting is revealed.  From this point I added in some brushwork to complete the painting.

Lessons Learned

Sometimes I may be a bit impatient.  Sometimes I may not wait long enough for the paper to dry before I apply the next round of masking compound.  Why am I calling this out you ask?  Well the masking will seep into the dampness of the paper.  You cannot see it go, but the area around the bit with fresh masking will also resist paint - creating halos around the ares.  Not at all a desirable look in a crisp painting.  You can pour until your hearts content.  It will not allow the paint to get any deeper in value.  

So, this became a mixed media painting.  I had to crack out the acrylics to get the deep background colour.  Sometimes this is a lesson I feel the need to relearn.  Patience Helen, patience.

Until next time

Cheers

 

 

 

 

Another wonderful week

It's always a wonderful week when one sells not one but two paintings!! So happy! So grateful.  Life is good.  Mystic Blues sold at the RNS Art Show & Sale this weekend and so did...

Helen with Mystic Blues

..."On Watch",  painting of a raven keeping a watchful eye on me - while sitting on top of the coolest rock formation I have ever painted. 

The good news continues

Earlier in the week I received an email about my "Magenta Magic" poured painting.

Congratulations
We are pleased to inform you that from 320 paintings submitted from 32 countries worldwide, our Jurors, Anne McCartney CSPWC, AWS, TWSA; Peter Marsh CSPWC, OSA, SCA, TWS; and Rainbow Tse have selected the painting on the labels below as a finalist for the IWS Canada & CSPWC/SCPA’s “A Symphony in Watercolour” Exhibition

This is all so very cool. The universe really does send back good karma when you live with the spirit of giving.  I recently donated a large painting to the IWK Ladies Auxiliary for their Kremese Art Show and Sale next weekend.  And also a bunch of cards to an environmental group for a fundraiser.  And then there is that ginormous window I am painting for ProKids.  Not that I have give to get back other than the feeling that I have done something good.

As an artist,  you have to be selective on how/what you give, how often you give and decide whether or not the cause is near and dear to you - we are asked for donations a lot.  I  have a few favourites that I donate to each year.   

Shideler paintings

New work in progress

A yet to be named poured watercolour.  It still has a long way to go.  The slideshow below takes it through the ugly duckling stage to the point where I have removed the masking compound.  I hope the magic happens in the next step of the process. 

Click through to see the progression so far

Repairing the Rigging and some really good news

This past summer the Tall Ships visited Saint John as part of Canada's 150 Birthday celebrations.  It was a magical, majestic site and made you proud to live here.  I was completely fascinated by the people who were "Repairing the Rigging".  I mean they appear to have absolutely no fear of heights!

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I, on the other hand, found myself to be on the bring of dizziness just photographing them.  Vertigo! But I was still able to be quite strategic as I lined up my shots.  I loved all the lines from the cranes across the harbour to the rigging on the ships.  As I lined up the angles for my reference shots, I was envisioning this as a poured watercolour painting.

After the first bit of masking was applied, I quickly realized there was no additional opportunity to apply masking.  One application did the trick.

A new toy

I recently saw this exciting tool advertised in Curry's newsletter a new high precision masking fluid marker by Pebeo.  Well then, I had to order two.  Sort of love it.  It comes with an extra bit as well, unsure why but I am sure it will be revealed to me as I use it.  Unable to get quite the fine lines I was hoping for - I used to create my signature int the painting above.

And some good news

Dear Helen

On behalf of the SCA, it is my pleasure to inform you that your application for Elected Membership into the Society of Canadian Artists has been successful. Congratulations!

As an Elected Member you may use prestigious 'SCA' designation after your name, participate in the annual members’ exhibition and qualify for society awards. As well, you will receive the SCA newsletter featuring articles by members, listing calls for artists, contests, and local and regional art events, delivered to your inbox three times annually. You will also receive invitations to Society Exhibitions and other events.

Now I will be signing my paintings with SCA as well!  Very excited!

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A good cause

I have been asked to participate in a fund raiser for a really good cause in Saint John for P.R.O. Kids. This group provides assistance for kids in need of support to play sports, recreational, art and cultural activities.  Uncertain for certain - but do you see children playing on a beach in that window?

Cheers, until next time

Helen

 

To Santa Fe and back

This trip had been loosely planned for a year.  I mean we all registered on the last day of PACE 17 when we hear it would be in Santa Fe.  Other than that, we waited until January to book flights and the hotel room for the trip home. And maybe just maybe, we should have really scrutinized the schedule first.  Who has time to be that planful?

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On the road again

Two friends and i planned to meet at the airport in Albuquerque, rent a car (really really expensive) and drive to Santa Fe. I Googled the satellite maps to look at the roads to mentally prepare me for the drive.  And although I thought I was ready - but absolutely noting can prepare you for that type of traffic - unless you live in San Francisco, maybe... The car agency rental person warned be, but frankly I thought it was a ploy to sell more insurance.  They spoke of inebriated drivers, reckless drivers and crazy drivers.

We persevered and make it safely to our destination.  Only, I speak in kilometres not in miles.  Jeepers creepers the drive was a lot longer than I anticipated- and the resort was off the beaten track in a place called Buffalo Thunder.  The resort was wonderful.   Only there was nothing else in the general proximity other than a couple more casinos.  No grocery stores.  No place to shop. 

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The PACE 18  sessions were amazing.  Brienne Brown.  Barbara Tapp. Cindy Baron. And so many more.  They talked of throwing the paint down with out a drawing (gasp) and maybe draw later (again gasp).  But being there to learn, I decided to throw away everything I thought I knew and try it. Well, it kinda sorta works.  With a lot more practice it may just really work.  Above are my attempts.

View from behind

PACE included paint outs in various locations including El Santuario de Chimayó.  While we were there the wind was quite strong to the point I decided that setting up my easel may be a bit risky.  I found a bench and noticed all the painters painting in front of me.  And I love sketching figures. Had a lot of fun with there.  And yes, there will be a painting soon!

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Cheers, until next time

Mystic Blues

Every now and then I complete a painting that takes me by surprise when I catch a glimpse of it.  This has happened!  It may be just be the sheer size of this one - Mystic Blues is the largest painting that I have completed so far.  I am really hoping that it captures a sense of romance with the subtle varieties of blues and pinks. Sigh!  Works for me!

Mystic Blues by Helen Shideler

Blue so blue so soft

So I must admit I am a bit obsessed with blue hydrangea and blue flowers, and well, soft blues. I love the softness of the flowers with their subtle colour variations and the overall emotion that blue flowers evoke.  As a child I remember how the wild flax flowers that grew on the side of the road in Cape Breton literally took my breath away.  I would run across the road to marvel at them.  Completely fascinated with the colour.  Turquoise is still one of my favourite colours - I have many.

Paint repeat paint repeat paint....

And so, wondering what one of my next paintings will be?  You got it, yet another hydrangea.   I plan to start a poured watercolour in the near future.  Then I may have finally exhaust my blue hydrangea obsession.  Here is the plan - a full sheet.  Does anyone out there have any patience pills? Or a gallon of masking compound? Or a large bottle of white wine?  

Click to scroll through

Time for a quick change

After painting all those blues, I wanted to paint something relatively quick as I leave tomorrow for a long short trip to San Diego, (I am on the East Coast of Canada), and did not want to start another major piece.  Beach Buddies was a joy to paint.  Fun and happy colours of summer.  Bringing back memories of a wonderful family vacation last year on Prince Edward Island.  Absolutely one of my all time favourite places in the world! 

Beach Buddies by Helen Shideler

Special Supper

I choose to paint Special Supper because I felt I needed a challenge! Jeepers!  Designing a poured watercolour around lobsters sitting on a lobster platter may not have been my smartest move.

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Wing and a prayer

The thing is, I could see the finished painting in my mind.  Which when you start a painting you should be able to do.  Breaking the colours out into layers in this case was very complex especially since the painting is basically monochromatic. And red. Once the values started to get deeper, I actually lost my roadmap.  I was unable to distinguish between critter and platter. You see, both the real lobsters and the lobsters on the platter have many legs!  

And I had to start winging it, crossing my fingers and offering up a prayer. This was tough.  The slideshow below will show you what I mean.  Once that final pour was ready applied I basically had to hold my breath.  Did I mention red is tough?

Unsure of what to do

Once I removed the masking compound, I hid it away for awhile until I could figure out if it was going to work or not.  Apparently I hide things from my view if I don't want to deal with it. 

Just the other day, I pulled it back out and the path forward was so clear.  It was like a real aha moment. Oh, I am not showing the painting with the mask removed on purpose.

WIP Mystic Blues

So here it is.  Usually when I conceptualize a painting, I "see" it in a particular medium - be it watercolour, oil or acrylics.  But this blue hydrangea behaved differently for me and said you need to do it all.  I have completed it in watercolour and acrylics.  And now in oil...

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Patience pill anyone?

The watercolor version to me is traditional and stands on its own.  When I completed it I stepped back and felt is was good.....but wondered what would it look like in acrylics? Hmmm... and so I began a rather epic adventure in blue.

Saying that acrylic paint is vibrant is almost an understatement.  They fact that this paint cures and the colours deepen for a few days after they are applied adds to a bit of a mystery about them.  

And then there is buttery oil paint. Omigoodness I am in love with oil paint!  The colours remain true as they dry making them a bit more predictable than watercolurs or acrylics. And you can play with them.  And blend until your hearts content. I have so much to learn!

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Tender Blues in acrylic

A vibrant rendition of the blue hydrangea.  VIsitors to my studio stop in their tracks - I love the reaction.  It is a bit showy.  Both bold and modern. The blue shades are more intense - almost on the deep thalo shade.  Love saying that it is contemporary and fun. 36"x36" and I admit a nail biter to work on. Each painting session I was able to complete one flower in the bloom.  Acrylic paint dries so fast that blending is a real challenge. Did you say challenge? Apparently complexity and details are my key motivators.  No kidding??????

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Amethyst Shades of Blue in watercolours

More traditional and ethereal, highly detailed and a softer version from the acrylic.  It's funny but I remember painting every single petal.  Making sure the shades and values were spot on in order to create the depth and suggest the volume of the bloom.  I played with the pigment and tested before I applied paint to the work.  This version was a true labour of love.  Did I mention I love watercolours.  They speak my language. And I feel confident with this medium.  So many years of working with it has taught me how it will behave in various conditions -  and I can predict it.  It is very natural and comfortable for me.

home and back at it

I returned home from Calgary Thursday night. Happy to be home, but so missing my wonderful  family there.  Every day we connected with Jenn in Vancouver and shared baby photos sigh... and since I have been home I have been very busy.

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Farmers Market

This painting has so many wonderful memories for me.  First of all, I love the translucent quality of tomatoes. When I look at them I always imagine how I would paint them.  The turquoise of the baskets set off the yellows and reds, and hit almost all of my favourite colours (I have so very many). I knew as I was taking the many reference photos that the heritage tomatoes would be a painting.

The biggest decision was to be watercolour, acrylic or oils. And right now I am so loving painting with oils,  There is more freedom for me - does not have to be quite as meticulous as watercolour to be effective.  I can still "sculpt" with the paint - the buttery texture of oil paint is so addictive, so sensuous and the colours so pure!

My daughter is a BC based food blogger known as Foodess.  I love that I can be sure that every visit will include a trip to many of the farmers markets.  This is her happy place. And I love to watch the people, especially the children.  But it is the colours and the smells that truly captivate me.  

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Side Stepping

When I returned home I somehow was driven to continue with the 30 Paintings in 30 Days Challenge.  I felt compelled to get back at it.  Side Stepping is a fun painting of a raven and is the inspiration for a large painting I will do later in the year.  

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Besties at the Beach

Last summer we had a Hall family reunion on Prince Edward Island.  It was an amazing week with family, great food and the beaches.  Two different beaches each day.  I was in complete heaven!

The beach is one of my sacred places.  My soul longs for sunny, warm days and the salt air.  I think having been born in Cape Breton had a lot to do with this and then the move to Red Head outside of Saint John, NB reinforced it. Salt air is in my soul and I think a bit of salt water is in my blood.  I crave the beach!

Everything I see while at the beach is a painting in my mind. These two lovelies walking down the beach caught my eye.  I actually think that they may be sisters.  Fun painting.

Until next time, may you have a most wonderful week!

 

Early wrap to this years challenge

Although this challenge is still on-going, I am quite done for this year. I managed to complete 17 paintings since it began, but you see a surprise early arrival had me packing up my bags and flying off to Calgary!  My beautiful new grandson Henry was born a few weeks early!  And so I said to heck with the challenge and hopped on the first available flight. 

And I do have a few more on the easel waiting for my return.

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This is the fifth time that I have participated in a 30 Day Challenge.  You can see my previous efforts here. With each challenge I like  to have a goal, something to learn - that I work towards. I feel pretty good about what I accomplished with my approach this year. I had decided to only work in oil.  It is a medium that I have been exploring for awhile now and think I have come to an understanding how to work with it. At least how I think that I want to work with it.

Grisaille how cool a word is that?

What I know to be true, at least for me, is that I do like to plan my work and have a grisaille underpainting prior to adding colour.  Not all subjects require this step.  But for me with the way my mind works, it makes the colour application make more sense.  You see I like to work with thin, transparent glazes.  Slowly building up the colours before I add in strategically placed thicker juicy paint.  Oh, did I just expose the watercolourist in me?  This is funny now that I have said it!  Old habits die hard.

And then there is Alla Prima

Painting alla prima (in one session) made sense for a few of the paintings - working really well with the mussel shells.  In fairness, I have painted so many mussel shells over the years that I could probably paint them in my sleep - they are a subject that I know so well. 

Honestly, I would have approached he painting with the sweet little sparrow differently knowing what I think I know now.  I think I would have felt better painting this one if I had taken the time to do an underpainting.  Because the bird was included as part of the landscape and not painted as a central subject, the background and leaves felt like busy work.  I was not as satisfied with the end result as I would like to have been.  It works, but I had a different vision of it in mind.

Helpful hint 

You have to get over your, um my... need to go back in and add in more detail.  In one sitting means just that. It is so hard to resist. But, in my mind - there really is no rules.  Rules are self imposed and made to be modified and ignored when convenient. 

Lessons learned

The other, perhaps the most important thing to remember is that applying many layers of paint over each other, without a few days dry time will create muddy colours.  I learned a new use for my pallet knife. Scraping.  Yep.  I had to remove areas on a few of the painting in order to re-apply the right colour intensity.

Until next time, cheers

 

 

 

 

Week 3 of the 30 Paintings in 30 Days Challenge

I have learned so much with this challenge.  It was not enough to commit to a painting a day - I felt the need to add a layer of complexity by adding in a medium that I feel that I am just beginning to understand.  I am an oil painter that needs to allow for dry time for glazing.  Alla prima is really maybe not my thing - but feel i have been successful with my attempt.

Week 3 30 day challenge by Helen Shideler

Day 11 - Lunch on the Bar

The photo does not do this painting justine.  The feathers on the bird are quire detailed.  What I am finding is that it is difficult to photograph wet oils.  The light catches the thicker paint and the blackish tones look like a hole - but in person - you do not see that effect.  Here's whats funny - I counted the plover last week - oops

Day 14 - Watchful

Yeah, I may have missed  a day or two or three.  LIfe happens.  I love this gull and for the most part, the painting turned out exactly as I envisioned.  I did have to go back in a couple of day later to enhance the values.  It was fun to paint and I may also paint his brother

Day 15 - Stepping Stones

 was born in Cape Breton, very close to a beach. as long as I can remember I love shore birds. They give me a sense of peace and joy. Colours are a bit off in this photo but you get the idea

Day 16 - Home on the Beach

You can sure tell it is February and I am longing for warm summer days at the beach. These birds make me so happy 

Day 17 - Crusty Crustacean

No shortage of inspiration from the sea. Happy to be more than halfway through the challenge, my larger work on my shiny new easel is starting to call out to me. 

Day 18 - Young Cormorant

Yeah, I have a thing for beach birds. I was so taken with the posture of this young bird. It’s all in the attitude. The reference photo was taken last summer at Rockwood Park in Saint John.  This is an amazing location to photograph birds and some of the prettiest landscapes in New Brunswick!

Phoebe by Helen Shideler

Day 19 - Phoebe

This will be my last offering for the 30 day challenge. Also - this is the first attempt at a furry face in oils.  I like it!!!

The challenges is getting cut a  short by the early arrival of a beautiful new grandson.  I am off to Calgary without paints and computer.  I cannot wait to get my lips on his little belly!!  sigh!!!

Thank you for following along

Cheers - and spring is almost just around the corner