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Summer’s Jewels – Nasturtiums
Summer’s Jewels was so much fun to work on – I mean I completely love these colours. And I completely loved pouring the colours of nasturtiums! There were a few moments of uncertainty – like when the making compound really did not want to come off. Took me a few hours…. and a blister to make it happen! This painting went through seven different pours – one colour I applied twice to increase the intensity. Below is the peel reveal I friend and I were recently discussing colours what subjects pour better or what make a successful poured painting. Whether monochromatic or complimentary colours pallets would be more effective? I…
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Sunshine Yellow Azaleas
I just finished this poured watercolor commission of sunshiny yellow azaleas I think what I like best about poured paintings is how fast they seem to build. The process keeps you engaged daily – I typically work on them each day for about two weeks. Each stage has to dry completely before you move onto the next. But the progress really builds nicely. There were seven pours with this painting. Once completely dry I removed the frisket. I call this the peel reveal. Some artists take their work to this stage and call it done. I personally cannot do this, although I have been tempted a few times with the…
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Duckie Duet and trouble with my easel
So today I had one of those days in the studio Everything I touched went wrong. Easel Troubles The bottom support on my big easel dropped to the floor right through my fingers with a loud bang and a bad word. The ball bearings in the crank mechanism hit the floor and rolled all over the place. Unfortunately we were unable to recover all of them. Does anyone know how to reassemble a crank easel? The air in the studio has to be exceptionally dry this time of year with the electric heat going all the time. Because of the dry wood on the easel frame we couldn’t tighten it…
