is a poured watercolour painting of colour rich hollyhocks. Every time I do a poured watercolour I learn something new. Or re-learn something over and over. When you remove the masking compound, it changes the colours beneath it. For some reason the colours dull down. So weird. I would have said it was just yellow. But no, it is that way with most colours. And I really do know this and yet keep getting surprised by it. And that is why I call pouring process underpainting. Although the finishing brushwork is minimal.
Magenta or fuschia?
That is the question of the day. These two colours are often used interchangeably and incorrectly. Magenta is somewhat redder and fuscia is more on the wine-ish side. Just like the plant it is names after. The interesting thing is that when I was trying to photograph this painting, it would change colour depending on the sun shade factor. In the sun it was fuschia. No doubt. But away from direct sun it is definitely magenta. Had me fascinated and quite dissatisfied with my photography efforts and the effects of warm and cool lighting.
Fun fact. The same colours go into the mixing of magenta and fuschia
Work in progress
Below illustrated just a few of the steps in this process. There are many more steps involved. But this will give you a sense of how it progresses. What I think I like most about this process is really two things. The first is that it gets me into the studio every day. But mostly it is how dimensional the completed painting is. They quite literally pop off the paper! From a distance they appear quite photographic and yet up close you can see the "legs", dribbles and splatters of the paint.
I always have to tell my husband to stand back about ten feet. He is one of my trusted advisors to the question is it done yet. He will get up close for his inspection and i know the dribbles confuse him. He'll point them out and I say they are supposed to be there. HE says oh with a really confused expression.