Summertime Promises

Summertime Promises

I completed this painting on the day of the Royal Wedding and also my husband's birthday.  All this just happens to coincide with the Victoria Day long weekend.  All this is truly symbolic.  The May long weekend heralds in the promise of summer and is filled with hope.  Lazy long weekends, adventurous tours, putting in the garden... you know the feeling

Summertime Promises by Helen Shideler

Warm enough to chill

I don't know about you, but my soul has been longing to be warm so we can just chill.  Our season on the East Coast is relatively short.  We wait so long for its arrival. So many happy plans and ideas - all to make memories that last season over season.  Gardening is a big part of our summer.

We typically garden up as high as we can trying to outwit the local deer population.  As a result of this our house is adorned with an impressive number of hanging baskets.  Other than the two that welcome you on either side of our front door, these baskets are each unique.  Planted with whatever catches our eye in the garden centres.  Some years it may be purples, sometimes yellow and sometimes a happy blending of many colours.  

This hanging basket that I painted "Summertime Promises"  filled my heart with joy watching it grow.  I mean, you can't get much more perfect than with yellow, vermillion and shades of maroon all on one blossom.  I knew when I purchased it that it would be painted.  I mean how could it not be? I took many reference photos, and as often, I tended to prefer the ones taken in full sun. 

What do you think?

A few weeks ago when I decided it was time to start a few more poured paintings, this image came to mind.  I sketched it out with a bit more detail than usual around where the leaves and stems were.  When you pour a painting, often the placement of the colours my be less important that the structure of the subject.  As I started working on this, I kept thinking that maybe, just maybe it should be painted as a large, juicy oil painting.  What do you think?

Work in progress 

Step by step process below.  Many pours later and a pound of masking (just kidding), the underpainting is revealed.  From this point I added in some brushwork to complete the painting.

Lessons Learned

Sometimes I may be a bit impatient.  Sometimes I may not wait long enough for the paper to dry before I apply the next round of masking compound.  Why am I calling this out you ask?  Well the masking will seep into the dampness of the paper.  You cannot see it go, but the area around the bit with fresh masking will also resist paint - creating halos around the ares.  Not at all a desirable look in a crisp painting.  You can pour until your hearts content.  It will not allow the paint to get any deeper in value.  

So, this became a mixed media painting.  I had to crack out the acrylics to get the deep background colour.  Sometimes this is a lesson I feel the need to relearn.  Patience Helen, patience.

Until next time

Cheers

 

 

 

 

Sunshine and Shadows floral painting

This sunshine filled floral painting makes me happy.  It's funny, whenever I think I am finished a painting I will often have self doubt.  That was the case with this one.  I decided to set it aside for awhile and went upstairs to start supper.  When I went back into the studio it stopped me in my tracks.  It was as luminous as I had hoped to capture! And the yellows so sunny. 

Sunshine and Shadows by Helen Shideler.jpeg

Poured or sprayed paintings

I approached this painting slightly differently by spraying the paint onto the wet surface.  I actually thought that it may be less messy. Boy, was I wrong.  The coloured mist went everywhere. All over my drafting table, the floor and my hands were unbelievable!  I went pack to pouring quite quickly.  The colour saturation seemed to be diffused as well - not at all the look I was going for.  I may say the spray bottles for a misty day painting another time.

Getting the gunk off

WIP Sunshine & Shadows by Helen Shideler.jpeg

The underpainting revealed

FB6BAE87-BE5C-4596-8B4B-EA21D8DF9C92.jpg

When you remove the masking compound you also remove a certain amount of the paint you applied.  Sometimes the underpainting is filled with drama at the reveal stage.  Most of the time you have to go back in with some strategic brushwork to make the painting come alive.  Once the centre of the flowers were painting in it really started to take shape.  

Yellow is an interesting colour to pour.  It behaves differently than expected.  Or maybe if was because it was the layer of paint that I sprayed on?  The luminous quality I was trying to achieve was flat.  Some very quick brushwork brought it back to life.

Helpful hint

I use a rubber cement pick up to remove the mask picture to the side.  Shown in the wrapper, before use and after use.

 

WIP - Picotee Petunia - Poured Painting Completed

  Helen Shideler - Picotee PetuniaWell after taking a bit of a detour, I am calling this painting complete! This image is lower resolution and I am thinking some of the colour integrity has been lost - but you get the idea!   Two of the various stages are below.

Helen Shideler - Poured painting - WIP Helen Shideler - Poured Painting - WIP