Swirls and Ripples Poured Painting

Swirls and Ripples is a poured painting of the koi fish we once had in our pond.  They were always delightful and entertaining.  Some of the fish had individual personalities, well sort of.  Really it was the biggest who would surface first for the food offering.

Swirls and Ripples poured painting by Helen Shideler

I really enjoy the process of producing a poured painting.  You really need to start with a fairly good drawing as the lines and details will soon get lost in the masking compound and puddling paint.

WIP Swirls and Ripples by Helen Shideler

After i have the drawing where you want it, you carefully start to apply the mask to the places where you want to preserve the whites.  Once dry, I will typically spray the painting with a good mist of water before I apply the paint.  Sometimes I will pour on only one colour at a time.  But I do like the way the paint mixes wet in wet.  I make that decision based on the image and what I am looking to accomplish with the pour.

WIP Swirls and Ripples

And after a few pours it starts to look like this

WIP Swirls and Ripples

Helpful hint

Use a rubber cement pick up rubber to remove the masking compound.  Makes a huge difference.

With the masking compound removed the under painting is complete.  TIme to refresh some of the colours, add in some brushwork to sharpen the details and then sign it!

WIP Swirls and Ripples

Amethyst Shades of Blue completed

Being curious means more work

After what seems like an eternity, I have finally completed one of the blue hydrangea paintings! You may remember awhile back I decided to challenge myself to paint the same subject in two mediums. Why, you ask? Because I had an interesting moment of indecisiveness. And I was curious. Normally I know exactly what I want to do, accomplish with a painting.  With the blue hydrangea I was pretty sure it would work best in watercolour.  No wait in acrylic... no wait - what about oils?

Amethyst Shades of Blue by Helen Shideler

It takes two

While working on two different versions of the same subject in two different mediums was an interesting exercise, I found I was growing eager to actually complete one of them.  At first I thought the watercolour painting was the medium to accomplish what I envisioned.  I absolutely love the medium.  It's versatility.  It's depth and the ability to blend in softness.  Love it. And am pretty happy with the result.

More to follow in a few weeks on the acrylic version and why I love painting it as well.

WIP Blue hydrangea in watercolour by Helen Shideler

A bit of trouble in the studio

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This crow can wait

Ok, so I squeezed out all of my paint for this session.  Got out my water mixable medium and proceeded to paint. So freaking weird. The paint was not mixing right. Was not sticking to the surface and "pulled " away, almost receding. I tried and I tried to make it work.  There is a lesson learned folks. Always. Always keep your acrylics separated from your oils.  Just one colour can ruin your day. In this case white.

Doh!!!!!

WIP Amethyst Blues Update 3

Amethyst Blues

I realized that showing a little corner of this painting at a time would not show the full picture of the work in progress (WIP).  This is a rather large painting 30"x30" and the progress feels slow to me. Showing the whole canvas will give you a better idea of the scale and detail. So many shades of blue.

I normally loosely draw my subject and refine it as I go. Interestingly enough, I really think if I spent more time on the initial drawing it may be a bit quicker.  But I am always too impatient and want to dive in.  I try to adjust my approach.  But, you know, after all these years, i guess it is my approach.

WIP Amethyst Blues by Helen Shideler

The humour of Mother Nature

I am sitting on my deck writing this blog post.  One leg in the beautiful sun and one leg in the rain. Literally!  Mother Nature is not quite sure what to serve up today. I must go look for the rainbow.  I am certain there must be one. This is quite freaky, really! 

I have been away much of the summer, as a result, I have not had a lot of time in the studio.  Lets be honest, if the sun is out...I am out.  So being away is really an excuse.  I was so happy to get back at it albeit a little discombobulated.  Smooth was not on my agenda for the day. 

This is how I roll

Lets face it - i am a born klutz. Everything I touched I either dropped or misplaced.  My particular favourite mis-adventure was my brush cleaner.  It is some kind of thick oily soap. So as I was getting ready to clean my favourite Rosemary brush, my elbow hit the open bottle of the soapy stuff. Well it went flying. Upside down.  Which means I had an oily, soapy trail across the floor, over the garbage can and on the counter.  Not a bad word did I say.

What I will say is that it took me 20 minutes to clean it all up.  I hope to heavens I got it all and no one slips on it (most likely me).

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Monthly crow paintings

Awhile back I decided to start an 8"x10" oil painting each week. Just because.  I am actually thinking of taking oils with me to Santa Fe next April and I want to be practiced up .  I decided that one of the painting should be a crow, another should be "Beachy People" and the other two up to whatever I feel like in the moment.  With this plan, the pressure of coming up with ideas diminished somewhat.

I really like this strutting fella.  He wa strutting through our lawn towards a piece of bread I tossed to him.  He was both focused and watchful. Not completely sure it is finished .....

WIP Amethyst Blues and the Summer Sunshine Factor

The interesting thing about summer is when the sun is out, I am out.  It is not possible for me to stay indoors and so work in the studio s-l-o-w-s down and is often neglected.  Such is the case with Amethyst Blues.  This painting has been on the easel for far too long.  This morning it talked to me and I dove in.

WIP AMethyst Blues by Helen Shideler

The summer sunshine factor

I find that when I am working in acrylic, I really need an extended period of time to paint. Waste not want not (paint I mean). Summer is often fickle and this year, we have been starved for heat and sunshine. So when Mr. Golden Sun is shining I am so stir crazy that I have to go out.  The summer factor really digs into my studio time. Ah, the choices we have to make.

Watercolours allow you to grab an hour or two whenever you feel like it.  Acrylic not so much.  Time has to be scheduled and planned.

Feeling joy while on vacation

One of of my favourite memories as a little girl was waking up from a nap with the warmth of  sun shining on me and the sensation of the cooling breeze flowing in. The curtain would be dancing in the breeze and I literally thought it was heaven. The scent of the salt air  The memory of this is still heaven to me.

I got to relive this memory once again while on vacation in PEI

We were still living in Cape Breton. Our little house was close to the shore.  I was laying on my bed. Just awaking from my nap. It was sunny and warm outside. My window was wide open and the breeze was blowing my light curtain across my bed. I felt so safe and so content as I lie there basking in the sensation and scent.  Confession, I tried to take as many naps as possible this trip.

The summer sunshine factor 

And a wonderful family reunion! Note: the person jumping is a stranger -I just love the freedom of the moment.

 

 

Update 6 Amethyst Shades of Blue and some other stuff

Trusting my intuition

I had set this painting aside for a little while while I was finishing off some smaller works for the recent studio tour. I must have picked it up three or four times this week - and then set it back down. You see, I know how complex the background is in the reference photos and wanted to be sure how I was going to tackle it.  I finally convinced myself to just get started and trust my intuition and go with it.   Glad I picked it back up.  I am still somewhat fearful as I know the amount of time and effort required to complete it.  Did I mention I have a deadline of June 30th?

WIP Amethyst Shades of Blue by Helen Shideler

Rain rain go away...

It has been raining everyday this week.  Beautiful steady, falling straight down,  soaking rain.  And when it was not soaking rain, well it was torrential rain.   Thankfully the temperature was somewhat tropical.  The gardens are so lush and beautiful in appreciation.  The planters, well that is another story of - soggy petunias. By the time we are able to mow the lawn again it will likely be a foot deep.  No sign of the rain stopping anytime soon.  

Helen's garden

New supplies means new work

I receive the gesso board panels I ordered this week.  Now I am able to get to the two commissions I have and also start another of my somewhat weekly oil painting.  Funny how much I love receiving a new shipment of art supplies.  Does not have to be anything really exciting or new. Just art supplies.  I always imagine what I am going to do with them all.  I imagine series of work.  Almost always.

WIP Helen Shideler

Eden Energy Medicine

This weekend I attended an Eden Energy Medicine (EEM) workshop with Sue Hooper.  I cannot begin to tell you how much I enjoyed the experience.  Sue is an amazing and gracious instructor. Coming off the work getting ready for last weeks KCST I needed to switch it up and slow it down. The exercises will with fit in nicely with my current morning stretching and balancing routine.

 

I have a lot going on

I sure have a lot going on this time of the year.  In addition to preparing for next weekends Kings County Studio Tour, I also maintain the website for the Tour.  So I am double busy right about now. We are happy that the Lyndsay Armstrong-Media from the Telegraph Journal wrote a story that was published this past week

Still painting a lot.  Keeping up with my pledge to myself to create a small oil painting a week. You can see the progress below. Having to allow for some dry time between the layers of paint extends the time to complete  - but I currently have two on the easel and have a plan for the next one.  Just need to order in some more panels.

on the easel by Helen Shideler

Update 5 Amethyst Shades of Blue and a few others

So happy when I reach this stage of a painting.  The main blossoms of Amethyst Shades of Blue are pretty much completed, at least for now.  I always reserve colour balancing for the last stages of the work.  And so now I am starting to work on the leaves and background.

Amethyst Shades of Blue by Helen Shideler

Magic of colour

This will be the last update of this painting until the whole piece is complete. I am thinking that I have to preserve some intrigue. What do you think?

I will say that his painting looks pretty striking from across the room.  It is large, (full sheet), pretty had to see the scale in a blog post.

I think that I have fallen in love with blue all over again.  There are so many shades. So many moods - from baby softness to stormy seas and moody skies.  The tender blue effect that I have been able to represent in this painting makes my soul happy.  Cannot explain it , it just does.  I believe that the magic of colour is to evoke mood and stimulate memories.

On another note

I am also working on a number of small oils.  Trying to do one a week.  I think of this as training for the Plein Air Conference and Expo in Santa Fe next April. The three I have completed are below. (They are available in the store section of this web site).

Oil paintings by Helen Shideler

And two more in progress Walk in the Park and Plein Air Painters are sketched out on panel with diluted paynes grey.

WIP Helen Shideler

Wish me luck with my adventure with oils.

Update 4 Amethyst Shades of Blue

Finally back in the studio working on Amethyst Shades of Blue

My goal for the day was to complete the large blossom.  Although I did not quite get there, I am pleased with my progress.  I will complete it soon...right?

Amethyst SHades of Blue by Helen Shideler

Lolligagging

Here is a word for you.  I identify with it.  Well maybe I may just like the sound of the word.  I have share with you previously that I am a master procrastinator.  Well, I have decided to frame it up in a new way.  Lollygagging!  I spent the entire day in my studio yesterday finding stuff to do - you know busy work and justifying why I was not actually painting.  Have to put new paint and stuff away. Jeepers my table is dusty. Reminisce about San Diego.  Omigoodness look at all the piles of paper and stuff and so on.....

Funny point - I just looked up the definition of lollygag and it does not quite mean what I thought - but I still like the word and will use it how ever I like nothing heinous about it as the Urban Dictionary would have me believe

Challenging myself again

Attending the PACE 2017 Conference taught me one thing.  The art world is into oil painting more than watercolours.  When visiting the many galleries there was a clear message - very little watercolours.  This is not discouraging in any way.  I love watercolour and will always love watercolour.  But is does tell me that I have to expand my perspective and at least dedicate some time once again to exploring oils.  And really, not a huge issue as I love, love, love their buttery texture. And all learning is good  - right?

So here it is

Sweet Tweet by Helen Shideler

Omigoodness.  I cannot believe I am saying this, but I am going to commit to me that I will produce one small oil painting a week in addition to the other larger projects that I am working on.  "Sweet Tweet" is an 8"x8" oil on cradled panel and is available here

Update 2 Amethyst Shades of Blue

The sun came out

The first real sign of spring and I want to break free and escape the indoors.  Uh oh methinks my goal of completing this painting before I leave for San DIego in less than two weeks just got seriously challenged!  Seriously, if the sun is out then I am out!

WIP Amethyst Shades of Blue by Helen Shideler

Tender shades of blue

I have to admit that I am loving working on this painting.  I love working with these tender shades of blue. Please understand from my perspective blues can be tricky.  If you are not careful it can give the appearance of plastic or be garish.  Really have to keep the touch light with the paint and apply with in layers.

The image above really does not show you the scale of this painting.  It is a full sheet watercolour - 22"x30" unframed!  The acrylic version peeking out from underneath is 30"x30".  I am so excited to see them completed and beside each other - for no other reason than just because.

WIP Section Helen Shideler

Up close and personal

I love sharing little corners of paintings that excite me - pretty much any new space I am working on.  I really think that working with so many shade of blue is invigorating.  I know why...it is because we have not seen any blue in the sky for so long....long, damp, dark spring!

Blue Hydrangea Paintings

A dilemma 

I always love starting new work.  Once I decided on what I wanted to paint next, I had a bit of a hard time making up my mind as to which media to use - so I decided to to do one of each.  Blue hydrangea seems to scream watercolour.  But I wanted to see if I could capture the softness in acrylic as well. I am always up for a challenge.

Amethyst Blues by Helen Shideler

Amethyst Blues (watercolour) and Amethyst Shades of Blue (acrylic)

Amethyst Shades of Blue by Helen Shideler

Sorting and picking

The process I use when I start to select my pallet is to pick through my paint bins and select the tubes I think are best suited.  Confession time,  I have my paint in bins sorted by colour!  Makes life so much easier when looking for colours.

Then I squeeze a bit from my selections onto my pallette.  Before I ever touch paint to a new work, I play with the paint to make sure I am happy with the mixes.  It can be difficult to add in new colours part way through a painting is you are not strategic. I also have a wonderful little journal where I paint little swatches and label them.  This helps me to remember my paint choices should I set the work aside for whatever reason.  And I really like my journal.  It is shaping up into a really cool diary of sorts.

Helen Shideler Palette